north german art and new masters

Anders Andersen-Lundby was a Danish landscape painter. He was most associated with winter landscapes.


Wilhelm Heinrich Ernst Eitner was a German painter of the late nineteenth and first half of the twentieth centuries. He is known as an impressionist painter and teacher.
Eitner produced portraits, landscapes, and woodcuts in a style reminiscent of Japanese art. Despite initial rejection in German society of his impressionist style of painting, over the years he gained recognition and even the title "Claude Monet of the North." Eitner was a member of numerous art associations. His works are preserved in the Hamburg Kunsthalle.


Friedrich Ahlers-Hestermann was a German painter and art writer from Hamburg. He was a member of the Hamburgische Künstlerclub of 1897, as well as of the Hamburg artist's workshop of 1832 and pupil of the Académie Matisse in Paris. After the First World War, he was a co-founder of the Hamburg Secession.


Carl Emil Rudolf Ludwig Becker was a German marine artist.
He was awarded gold medals at the International Art Exhibition of 1894, in Vienna, and the Große Berliner Kunstausstellung of 1896. Three years later, he was one of the co-founders of the Düsseldorfer Künstler-Vereinigung (artists' association). After the turn of the century, marine painting was heavily promoted by Kaiser Wilhelm II, who was attempting to make Germany a major sea power. As a result, the demand for Becker's paintings increased farther inland.


Eugène Galien-Laloue was a French artist. He was a populariser of street scenes, usually painted in autumn or winter.
His paintings of the early 1900s accurately represent the era in which he lived: a happy, bustling Paris, la Belle Époque, with horse-drawn carriages, trolley cars and its first omnibuses. Galien-Laloue's works are valued not only for their contribution to 20th-century art, but for the actual history, which they document. His work can be seen at the Musée des Beaux-Arts, Louvier; Musée des Beaux-Arts, La Rochelle; Mulhouse, France.


Roger Chapelet, full name Albert Roger Édouard Chapelet, was a French marine painter.
Chapelet worked in the Navy Ministry, in 1927 he began painting, and in 1936 he was appointed an official marine painter and became a member of the Naval Academy. During and after World War II, Chapelet took part in numerous operations of the French Navy. During his service, he continued to paint various military operations and naval battles. After the war, he returned to civilian life and became an artist for several ship companies.
Chapelet is considered one of the greatest artists of the French Navy of the 20th century.


Caspar Johann Nepomuk Scheuren is a German painter and illustrator.
After receiving an elementary art education from his painter father Egidius Scheuren, he studied landscape painting at the Düsseldorf Academy of Art, where he later became a professor.
Caspar Scheuren gradually developed an allegorical style of landscape painting, including motifs from stories and legends of the Rhine. He produced more than 300 oil paintings, 600 watercolors and 400 engravings.


Andy Warhol, born as Andrew Warhola Jr., was an American visual artist, film director, and producer, who played a pivotal role in the development of the Pop Art movement. His art delved into the interplay between artistic expression, advertising, and celebrity culture, especially prevalent in the 1960s. Warhol was renowned for his diverse range of media, which included painting, silkscreening, photography, film, and sculpture.
Warhol's journey began in Pittsburgh, where he was born and raised, initially making a name for himself as a commercial illustrator. His New York studio, "The Factory," became a famous hub for intellectuals, celebrities, and various artistic minds. He was known for creating the notion of "Warhol superstars" and popularized the phrase "15 minutes of fame."
His contribution to the art world is significant, with notable works like "Campbell's Soup Cans" (1962) and "Marilyn Diptych" (1962), as well as his experimental films like "Empire" (1964) and "Chelsea Girls" (1966). These works not only define his career but also underscore the essence of the Pop Art movement.
Warhol's influence extended beyond his artwork. He managed and produced the experimental rock band The Velvet Underground, founded Interview magazine, and wrote several books, including "The Philosophy of Andy Warhol" and "Popism: The Warhol Sixties." Living openly as a gay man before the gay liberation movement, Warhol's personal life was as influential as his professional endeavors.
Tragically, Warhol's life was nearly cut short in 1968 when he was shot by radical feminist Valerie Solanas. He eventually passed away in 1987 due to cardiac arrhythmia following gallbladder surgery. His legacy continues, with The Andy Warhol Museum in Pittsburgh standing as the largest U.S. museum dedicated to a single artist.
Warhol's art remains highly collectible and valuable. His works, like the "Silver Car Crash (Double Disaster)" and "Shot Sage Blue Marilyn," have fetched staggering amounts at auctions, signifying his enduring impact on the art market.
For art collectors and experts, Andy Warhol's work represents a crucial intersection of pop culture and fine art, offering a unique perspective on consumerism and celebrity. His pieces are not just art; they are historical landmarks that capture a transformative era in both art and society.
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Karl Wilhelm Arthur Illies was a German impressionist painter. He specialised in landscapes and was considered a brilliant graphic artist.


Andreas Achenbach was a German landscape and seascape painter in the Romantic style. He is considered to be one of the founders of the Düsseldorf School.[citation needed] His brother, Oswald, was also a well known landscape painter. Together, based on their initials, they were known as the "Alpha and Omega" of landscape painters.


Anders Andersen-Lundby was a Danish landscape painter. He was most associated with winter landscapes.



Johann Georg Valentin Ruths was a German painter of the second half of the nineteenth and early twentieth centuries. He is known as a landscape painter.
Ruths painted a variety of natural landscapes, including forests, mountains, plains, desert places and villages. He most often depicted the lower Elbe River, as well as Italian and Swiss vistas. His paintings, imbued with an elegiac mood, are still popular in Germany and are common in galleries and private collections. Some of his famous works are "Evening in the Sabine Mountains", "North German Oak Tree", "The Grave of a Rich Man on the Baltic Coast", "The First Spring Day", "Misty Morning in the Forest" and others.

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Alma del Banco was a German artist of the first half of the twentieth century of Jewish origin. She is known as a painter and graphic artist and is considered a representative of Art Nouveau.
Alma del Banco, who began her career as an artist rather late, was already a recognized figure of the Hamburg art scene in the early 1920s and one of the founders of the Hamburg Secession art group. At the beginning of her career she was strongly influenced by Cubism, then her artistic style changed, it became less schematic and her work became more meticulous. The artist achieved considerable success in the portrait genre. However, after the Nazis came to power in Germany, she was banned from exhibiting and her work was declared "degenerate art".


Heinrich Johann von Zügel was a German painter of the late nineteenth century and the first half of the twentieth century. He is known as a painter who specialized in depicting farm animals in dramatic and humorous situations.
Von Zügel invested more than 40 years in the subject of "Hard Labor," depicting mostly the work of oxen. By creating 24 versions of this subject, the artist demonstrated the evolution of his skill from realistic detailing to cubic and monumental interpretation. Von Zügel also created light impressionist paintings, including a self-portrait at the age of 77. In addition to animals, he also painted portraits and cityscapes.


Heinrich Johann von Zügel was a German painter of the late nineteenth century and the first half of the twentieth century. He is known as a painter who specialized in depicting farm animals in dramatic and humorous situations.
Von Zügel invested more than 40 years in the subject of "Hard Labor," depicting mostly the work of oxen. By creating 24 versions of this subject, the artist demonstrated the evolution of his skill from realistic detailing to cubic and monumental interpretation. Von Zügel also created light impressionist paintings, including a self-portrait at the age of 77. In addition to animals, he also painted portraits and cityscapes.



Lisel Oppel, actually Anna Amalie Elisabeth Oppel, was a German painter and ceramist who remains to this day one of the most memorable members of the Worpswede artist colony. From 1917 she studied painting at the Academy of Fine Arts in Munich with Richard Riemerschmid and Hermann Gröber.
Liesel Oppel painted simple paintings with great joy and colourfulness; mainly portraits, people at work and on holidays, less often pure landscapes. One of Oppel's special pictorial themes was children's pastimes in the countryside, in which she adopted and extended the motifs of the early Worpswede artists. Most of her work was created in the 1950s. She continued her expressive painting style.


Lisel Oppel, actually Anna Amalie Elisabeth Oppel, was a German painter and ceramist who remains to this day one of the most memorable members of the Worpswede artist colony. From 1917 she studied painting at the Academy of Fine Arts in Munich with Richard Riemerschmid and Hermann Gröber.
Liesel Oppel painted simple paintings with great joy and colourfulness; mainly portraits, people at work and on holidays, less often pure landscapes. One of Oppel's special pictorial themes was children's pastimes in the countryside, in which she adopted and extended the motifs of the early Worpswede artists. Most of her work was created in the 1950s. She continued her expressive painting style.


Anton Nissen is a German and Danish artist.
Anton Nissen is known primarily as a landscape painter, reflecting the nature of northern Schleswig. He was also an author of genre paintings. Anton Nissen's works can be seen in museums in Germany and Denmark. Anton Nissen is the father of painter and yachtsman Arndt Georg Nissen.


Hugo Vogel was a German painter of the second half of the 19th and early 20th centuries. He is known as a painter, author of historical paintings and portraits.
Vogel created historical and genre paintings in the style of the latest colorists. He was also the author of monumental frescoes on historical themes for the magistrates' halls in Berlin, Hamburg and Merseburg. Portraits, including of prominent German scientists, writers and political figures, occupy a special place in his oeuvre. There are streets in Magdeburg, Berlin and Merseburg named after this artist.


Friedrich Kallmorgen was a German Impressionist painter who specialized in landscapes and cityscapes.


Thomas Ludwig Herbst was a German Impressionist painter; known mostly for landscapes and animal portraits.


Thomas Ludwig Herbst was a German Impressionist painter; known mostly for landscapes and animal portraits.


Thomas Ludwig Herbst was a German Impressionist painter; known mostly for landscapes and animal portraits.


Thomas Ludwig Herbst was a German Impressionist painter; known mostly for landscapes and animal portraits.


Thomas Ludwig Herbst was a German Impressionist painter; known mostly for landscapes and animal portraits.


Thomas Ludwig Herbst was a German Impressionist painter; known mostly for landscapes and animal portraits.


Wilhelm Heinrich Ernst Eitner was a German painter of the late nineteenth and first half of the twentieth centuries. He is known as an impressionist painter and teacher.
Eitner produced portraits, landscapes, and woodcuts in a style reminiscent of Japanese art. Despite initial rejection in German society of his impressionist style of painting, over the years he gained recognition and even the title "Claude Monet of the North." Eitner was a member of numerous art associations. His works are preserved in the Hamburg Kunsthalle.


Wilhelm Heinrich Ernst Eitner was a German painter of the late nineteenth and first half of the twentieth centuries. He is known as an impressionist painter and teacher.
Eitner produced portraits, landscapes, and woodcuts in a style reminiscent of Japanese art. Despite initial rejection in German society of his impressionist style of painting, over the years he gained recognition and even the title "Claude Monet of the North." Eitner was a member of numerous art associations. His works are preserved in the Hamburg Kunsthalle.


Wilhelm Heinrich Ernst Eitner was a German painter of the late nineteenth and first half of the twentieth centuries. He is known as an impressionist painter and teacher.
Eitner produced portraits, landscapes, and woodcuts in a style reminiscent of Japanese art. Despite initial rejection in German society of his impressionist style of painting, over the years he gained recognition and even the title "Claude Monet of the North." Eitner was a member of numerous art associations. His works are preserved in the Hamburg Kunsthalle.


Wilhelm Heinrich Ernst Eitner was a German painter of the late nineteenth and first half of the twentieth centuries. He is known as an impressionist painter and teacher.
Eitner produced portraits, landscapes, and woodcuts in a style reminiscent of Japanese art. Despite initial rejection in German society of his impressionist style of painting, over the years he gained recognition and even the title "Claude Monet of the North." Eitner was a member of numerous art associations. His works are preserved in the Hamburg Kunsthalle.


Wilhelm Heinrich Ernst Eitner was a German painter of the late nineteenth and first half of the twentieth centuries. He is known as an impressionist painter and teacher.
Eitner produced portraits, landscapes, and woodcuts in a style reminiscent of Japanese art. Despite initial rejection in German society of his impressionist style of painting, over the years he gained recognition and even the title "Claude Monet of the North." Eitner was a member of numerous art associations. His works are preserved in the Hamburg Kunsthalle.


Paul Müller-Kaempff was a German painter, illustrator and lithographer. He is associated with the Düsseldorf school of painting.


Paul Müller-Kaempff was a German painter, illustrator and lithographer. He is associated with the Düsseldorf school of painting.


Henning Edens was a German landscape painter, greatly influenced by Claude Monet and Camille Pissarro.


Heinrich Blunck, also Blunck-Heikendorf was a North German painter and lithographer.


Friedrich Ahlers-Hestermann was a German painter and art writer from Hamburg. He was a member of the Hamburgische Künstlerclub of 1897, as well as of the Hamburg artist's workshop of 1832 and pupil of the Académie Matisse in Paris. After the First World War, he was a co-founder of the Hamburg Secession.


Paul Kayser was a German painter and graphic artist. After training as a painter-decorator, Kayser attended the Schools of Applied Art in Munich and Dresden.
Paul Kayser was a founding member of the Hamburg Artists' Club 1897 and the Hamburg Secession, and a member of the Hamburg Artists' Association and the Altona Artists' Association. His style was decisively influenced by Albert Marquet, whom Kaiser met in 1909.
In 1937, Kaiser's still life was confiscated from the museum in Husum as part of the Nazi "Degenerate Art" campaign.


Paul Kayser was a German painter and graphic artist. After training as a painter-decorator, Kayser attended the Schools of Applied Art in Munich and Dresden.
Paul Kayser was a founding member of the Hamburg Artists' Club 1897 and the Hamburg Secession, and a member of the Hamburg Artists' Association and the Altona Artists' Association. His style was decisively influenced by Albert Marquet, whom Kaiser met in 1909.
In 1937, Kaiser's still life was confiscated from the museum in Husum as part of the Nazi "Degenerate Art" campaign.


Paul Kayser was a German painter and graphic artist. After training as a painter-decorator, Kayser attended the Schools of Applied Art in Munich and Dresden.
Paul Kayser was a founding member of the Hamburg Artists' Club 1897 and the Hamburg Secession, and a member of the Hamburg Artists' Association and the Altona Artists' Association. His style was decisively influenced by Albert Marquet, whom Kaiser met in 1909.
In 1937, Kaiser's still life was confiscated from the museum in Husum as part of the Nazi "Degenerate Art" campaign.


Paul Kayser was a German painter and graphic artist. After training as a painter-decorator, Kayser attended the Schools of Applied Art in Munich and Dresden.
Paul Kayser was a founding member of the Hamburg Artists' Club 1897 and the Hamburg Secession, and a member of the Hamburg Artists' Association and the Altona Artists' Association. His style was decisively influenced by Albert Marquet, whom Kaiser met in 1909.
In 1937, Kaiser's still life was confiscated from the museum in Husum as part of the Nazi "Degenerate Art" campaign.


Paul Kayser was a German painter and graphic artist. After training as a painter-decorator, Kayser attended the Schools of Applied Art in Munich and Dresden.
Paul Kayser was a founding member of the Hamburg Artists' Club 1897 and the Hamburg Secession, and a member of the Hamburg Artists' Association and the Altona Artists' Association. His style was decisively influenced by Albert Marquet, whom Kaiser met in 1909.
In 1937, Kaiser's still life was confiscated from the museum in Husum as part of the Nazi "Degenerate Art" campaign.


Paul Kayser was a German painter and graphic artist. After training as a painter-decorator, Kayser attended the Schools of Applied Art in Munich and Dresden.
Paul Kayser was a founding member of the Hamburg Artists' Club 1897 and the Hamburg Secession, and a member of the Hamburg Artists' Association and the Altona Artists' Association. His style was decisively influenced by Albert Marquet, whom Kaiser met in 1909.
In 1937, Kaiser's still life was confiscated from the museum in Husum as part of the Nazi "Degenerate Art" campaign.


Paul Kayser was a German painter and graphic artist. After training as a painter-decorator, Kayser attended the Schools of Applied Art in Munich and Dresden.
Paul Kayser was a founding member of the Hamburg Artists' Club 1897 and the Hamburg Secession, and a member of the Hamburg Artists' Association and the Altona Artists' Association. His style was decisively influenced by Albert Marquet, whom Kaiser met in 1909.
In 1937, Kaiser's still life was confiscated from the museum in Husum as part of the Nazi "Degenerate Art" campaign.


Friedrich Ahlers-Hestermann was a German painter and art writer from Hamburg. He was a member of the Hamburgische Künstlerclub of 1897, as well as of the Hamburg artist's workshop of 1832 and pupil of the Académie Matisse in Paris. After the First World War, he was a co-founder of the Hamburg Secession.


Dorothea Maetzel-Johannsen was a German modernist painter. She was a co-founder of the Hamburg Secession. Since 1919 she based her major expressionist works on the work of the dissolved Brücke (group of artists), early cubism and African sculpture.
Dorothea Maetzel-Johannsen has developed an individual mode of expression in Expressionism. Although her works feature the typical angular contours, two-dimensional concept of space and dynamic oblique compositions, unlike her peers, the artist refrained from any form of aggressiveness in her compositions. In her still life and figurative paintings, a contemplative mood resonates, contrary to the dynamic composition of the painting.
In 1937, Dorothea Maetzel-Johannsen's works were confiscated from the Kunsthalle Hamburg as part of the Nazi action "Degenerate Art" and then destroyed.


Dorothea Maetzel-Johannsen was a German modernist painter. She was a co-founder of the Hamburg Secession. Since 1919 she based her major expressionist works on the work of the dissolved Brücke (group of artists), early cubism and African sculpture.
Dorothea Maetzel-Johannsen has developed an individual mode of expression in Expressionism. Although her works feature the typical angular contours, two-dimensional concept of space and dynamic oblique compositions, unlike her peers, the artist refrained from any form of aggressiveness in her compositions. In her still life and figurative paintings, a contemplative mood resonates, contrary to the dynamic composition of the painting.
In 1937, Dorothea Maetzel-Johannsen's works were confiscated from the Kunsthalle Hamburg as part of the Nazi action "Degenerate Art" and then destroyed.


Gretchen Wohlwill was a painter and member of the Hamburg Secession. She was one of the German students at the Académie Matisse in Paris and developed a painting style influenced by French avant-garde art. In addition to painting, graphics were a focus of her work. Persecuted by the National Socialists because of her Jewish background, she emigrated to Portugal in 1940. After twelve years in exile, she returned to Hamburg in 1952.


Carl Emil Rudolf Ludwig Becker was a German marine artist.
He was awarded gold medals at the International Art Exhibition of 1894, in Vienna, and the Große Berliner Kunstausstellung of 1896. Three years later, he was one of the co-founders of the Düsseldorfer Künstler-Vereinigung (artists' association). After the turn of the century, marine painting was heavily promoted by Kaiser Wilhelm II, who was attempting to make Germany a major sea power. As a result, the demand for Becker's paintings increased farther inland.


Georg Burmester was a German artist of the late 19th - first third of the 20th centuries. He is known as a painter, graphic artist, impressionist, representative of the Düsseldorf art school, and teacher.
Burmester worked mainly in the genres of landscape and marinas, but among his works there are also still lifes, as well as works in the genre of nude. He was a teacher at the Kassel Art School from 1912 to 1930 and was promoted to the rank of professor in 1917.


Friedrich Kallmorgen was a German Impressionist painter who specialized in landscapes and cityscapes.


Friedrich Kallmorgen was a German Impressionist painter who specialized in landscapes and cityscapes.


Friedrich Kallmorgen was a German Impressionist painter who specialized in landscapes and cityscapes.


Franz Korwan, born Salli Katzenstein, is a well-known German landscape painter of Jewish origin and belongs to the Düsseldorf School.
Most of his works are in private collections.


Hugo Wilhelm Georg Köcke was a German painter and graphic artist. He is known as a landscape painter, portrait painter and genre painter. He studied painting at the University of Fine Arts in Berlin. Since 1904 he participated regularly in large art exhibitions. From 1920 he became a member of the Berlin Association of Artists.
After his marriage in 1921 Hugo Köcke settled on the island of Sylt, where he painted many landscapes in oil.


Hugo Wilhelm Georg Köcke was a German painter and graphic artist. He is known as a landscape painter, portrait painter and genre painter. He studied painting at the University of Fine Arts in Berlin. Since 1904 he participated regularly in large art exhibitions. From 1920 he became a member of the Berlin Association of Artists.
After his marriage in 1921 Hugo Köcke settled on the island of Sylt, where he painted many landscapes in oil.


Hugo Wilhelm Georg Köcke was a German painter and graphic artist. He is known as a landscape painter, portrait painter and genre painter. He studied painting at the University of Fine Arts in Berlin. Since 1904 he participated regularly in large art exhibitions. From 1920 he became a member of the Berlin Association of Artists.
After his marriage in 1921 Hugo Köcke settled on the island of Sylt, where he painted many landscapes in oil.


Charles Hoguet was a German painter and, as a Huguenot, belonged to the French colony in Berlin.
Hoguet regularly participated in the academic art exhibitions and became a member of the Academy in 1869.


Daniel Herman Anton Melbye was a Danish painter and photographer who specialized in maritime scenes. He was the brother of painters Vilhelm and Fritz Melbye.


Poppe Folkerts was a German marine painter, draughtsman and graphic artist. He studied at the Berlin Academy of Fine Arts under Karl Salzmann. In 1907 and 1908 he studied figure and portrait painting in Düsseldorf with Eduard von Gebhardt, before going to Paris in 1909, where he was accepted at the Académie Julian.
Poppe Volkerts is considered one of the most outstanding artists of the Frisian coast. As an enthusiastic sailor, he was able to capture the peculiarities of this landscape, the struggle of people with the forces of nature and the fascination of the sea with its constantly changing weather conditions and moods, with a unique liveliness and intensity. His pastose application of paint, special lighting and pure colours create the spatial depth and radiance inherent in the paintings.


Poppe Folkerts was a German marine painter, draughtsman and graphic artist. He studied at the Berlin Academy of Fine Arts under Karl Salzmann. In 1907 and 1908 he studied figure and portrait painting in Düsseldorf with Eduard von Gebhardt, before going to Paris in 1909, where he was accepted at the Académie Julian.
Poppe Volkerts is considered one of the most outstanding artists of the Frisian coast. As an enthusiastic sailor, he was able to capture the peculiarities of this landscape, the struggle of people with the forces of nature and the fascination of the sea with its constantly changing weather conditions and moods, with a unique liveliness and intensity. His pastose application of paint, special lighting and pure colours create the spatial depth and radiance inherent in the paintings.


Gottlieb Carl Albert Bössenroth was a German landscape painter. He worked in Munich, Dachau, Eckernförde and Berlin.


Claus Friedrich Bergen was a German painter of the first half of the twentieth century. He is known as a marine painter and illustrator.
Claus Bergen illustrated Karl May's adventure tales early in his career, creating more than 450 works. He specialized in nautical subjects, depictions of fishing and coastal landscapes, and traveled to Norway, England, the Mediterranean and America. During World War I, Bergen created paintings depicting sea battles; he was the only artist of his time to participate in a submarine raid. In World War II, he was included by the Nazis in the "God-given list" and his work was exhibited in Nazi exhibitions in Munich from 1937 to 1944.


Robert Schmidt-Hamburg was a German marine and landscape painter, one of the most important illustrators of passenger and merchant shipping of the 1920s and 1930s, as well as of port and shipyard operations.


Julius Paul Junghanns was a German animal painter of Austrian origin.


Julius Paul Junghanns was a German animal painter of Austrian origin.


Julius Scheuerer was a German animal painter who worked in Munich.
Julius Scheurer was the older brother of the animal painter Otto Scheuerer.
Scheuerer became a member of the Munich Artists' Cooperative. The Dutch old masters were the models for his painting.


Eugen Kampf was a German painter; associated with the Düsseldorf school of painting. He specialized in rural and village scenes.




Carl Spitzweg was a German romanticist painter, especially of genre subjects. He is considered to be one of the most important artists of the Biedermeier era.


Albert Flamm was a German artist of the Düsseldorf school. He studied architecture at the Dusseldorf Academy of Art and in Antwerp. In 1841 he turned to painting and became a pupil of Andreas Achenbach. In 1848 Flamm became one of the founders of the Malkasten artists' association.
Albert Flamm painted mainly Italian landscapes, recognised for their truthfulness of nature, their vivid colours and their virtuosic treatments. He often chose an elevated viewing position to be able to create wide panoramic perspectives in warm, bright sunlight and with finely rendered detail.


Albert Flamm was a German artist of the Düsseldorf school. He studied architecture at the Dusseldorf Academy of Art and in Antwerp. In 1841 he turned to painting and became a pupil of Andreas Achenbach. In 1848 Flamm became one of the founders of the Malkasten artists' association.
Albert Flamm painted mainly Italian landscapes, recognised for their truthfulness of nature, their vivid colours and their virtuosic treatments. He often chose an elevated viewing position to be able to create wide panoramic perspectives in warm, bright sunlight and with finely rendered detail.


Albert Flamm was a German artist of the Düsseldorf school. He studied architecture at the Dusseldorf Academy of Art and in Antwerp. In 1841 he turned to painting and became a pupil of Andreas Achenbach. In 1848 Flamm became one of the founders of the Malkasten artists' association.
Albert Flamm painted mainly Italian landscapes, recognised for their truthfulness of nature, their vivid colours and their virtuosic treatments. He often chose an elevated viewing position to be able to create wide panoramic perspectives in warm, bright sunlight and with finely rendered detail.

















































































































































































































































































